(VICE online, 27/09/16) Discover a rich history of colonial stick & poke tattoos and wild convict stories with Simon Barnard, author of Convict Tattoos: Marked Men and Women of Australia.
The 4th wall is a theatre term for the invisible wall between performers and the audience. When performers speak directly to the audience it’s considered breaking the 4th wall. As the sociologist Erving Goffman’s dramaturgy suggests, we are constantly performing our identities. The interviews on this page were an attempt to enquire beyond the performativity of self.
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(VICE online, 27/09/16) Discover a rich history of colonial stick & poke tattoos and wild convict stories with Simon Barnard, author of Convict Tattoos: Marked Men and Women of Australia.
(Things & Ink, issue 7. Republished in INKED, issue 28) “It’s another world in prison, there’s dos and don’ts out here, and then there’s dos and don’ts in there. I used to just go with the flow, and do tattoos.”
(Things & Ink, issue 3) "I said to them all, ‘look, this isn’t the right ink, I don’t want you all getting infected from it,’ but they were all like UGHRAAAAA, TATTOO US TATTOO US WE DON’T CARE. I had like seven people lined up."