(Abridged version published in The Conversation 03/07/2019) The Immigration Museum’s new exhibit, Our Bodies, Our Voices, Our Marks, explores the contemporary form of Polynesia’s Tatau alongside the tattoo tradition of Japanese irezumi.
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The 4th wall is a theatre term for the invisible wall between performers and the audience. When performers speak directly to the audience it’s considered breaking the 4th wall. As the sociologist Erving Goffman’s dramaturgy suggests, we are constantly performing our identities. The interviews on this page were an attempt to enquire beyond the performativity of self.