(VICE online 25/04/17) This is one of the most brutal experiences one can imagine in the field of tattooing, where wills are either broken or solidified. This is the Brutal Black Project, and they’ll “ruin your life”.
The 4th wall is a theatre term for the invisible wall between performers and the audience. When performers speak directly to the audience it’s considered breaking the 4th wall. As the sociologist Erving Goffman’s dramaturgy suggests, we are constantly performing our identities. The interviews on this page were an attempt to enquire beyond the performativity of self.
(VICE online 25/04/17) This is one of the most brutal experiences one can imagine in the field of tattooing, where wills are either broken or solidified. This is the Brutal Black Project, and they’ll “ruin your life”.
Alice Snape, the editor of Things&Ink, talks about her journey as an independent publisher of a female-friendly tattoo culture publication.
(Abridged version first published in DAZED & CONFUSED magazine, 03/03/17) Touka Voodoo has actively used body art and modification to transcend the notion of binaries.
Head honcho of Skin Deep, Sion Smith, offers advice for writers, photographers, and tattooists looking to get published.
(First published in Skin Deep, issue 275. Republished in INKED, issue 45) Ahead of VICELAND’s 2017 series, Needles and Pins, Grace talks about her experiences in front of the lens.
(Abridged version first Published in The Guardian, 23/11/16) I attend the inaugural Sydney Death and Dying Festival to get a taste of what's to come.
(Published in INKED issue 42) “That was Ricky’s right above Pinky’s. That’s because Pinky’s had a hepatitis scare and the American navy had banned them from going there, so he just opened upstairs and called it Ricky’s.”
(VICE online, 27/09/16) Discover a rich history of colonial stick & poke tattoos and wild convict stories with Simon Barnard, author of Convict Tattoos: Marked Men and Women of Australia.
(INKED magazine, issue 39) On February 26th, I presented an exhibition of tattooed silicone hands and sheets at Melbourne's Neon Parlour.
(INKED magazine, issue 35) 'Tattooing in the Islamic Republic (dictatorship) of Iran' is the culmination of furtive correspondence with four brave Iranian tattooists who risk imprisonment and torture on a daily basis all for the sake of their art.
(Things & Ink, issue 10) "Tattooing is conducted during the vigil. Beside the body the near family sing the deceased's history in a rhythm made of tears.”
(Things & Ink, issue 12, abridged on VICE online) What began as an intellectual interest in body modification within the context of BDSM ended with 250mls of saline infused into my scrotum and 500mls infused into my girlfriend's breasts.
(Things & Ink, issue 11) "I think it’s a real big kick and liberation once you’ve put on a face and the costume and you go out in public. You become a character, a different person, and so people respond to you differently.”
(Things & Ink, issue 10, republished in INKED magazine, issue 31) "If taxidermy is made into art for art’s sake, there is still the beauty and appreciation of the animal and the art, so it really isn’t for nothing."
(Things & Ink, issue 11, republished in INKED magazine, issue 32) A short review of Ricky Luder, a book complied and published by Done With Electricity. The book is an illustrative historical treat!
(Things & Ink, issue 9. Republished in Melbourne Permanent, issue 1) ‘I guess I took it a bit lightly and didn’t explain myself, it was just like “RAAAAAHHH; I’m eating my own head!”
(Things & Ink blog, 23/12/14. Republished in INKED magazine, issue 30) I talk with the Bangkok based Knowing Buddha Organisation about it's objection to Buddha tattoos.
(Things & Ink blog, 14/12/14. Republished in INKED issue 32) ‘Yeah man, vultures on the streets shaking down people for payouts.”
(Things & Ink, issue 8. Republished in INKED, issue 27) ‘The first hit, your mind is full of so many thoughts; mostly you’re thinking, “Shit, what have I done; what am I doing; I can’t do this”.
(Things & Ink, issue 7. Republished in INKED, issue 28) “It’s another world in prison, there’s dos and don’ts out here, and then there’s dos and don’ts in there. I used to just go with the flow, and do tattoos.”